Books by Eric Douglas

Thriller fiction and Non-fiction

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    • Heart of the Maya: Murder for the Gods
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      • Capturing Memories: How to Record Oral Histories
    • Dive-abled: The Leo Morales Story
    • Keep on, Keepin’ On: A Breast Cancer Story
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You are here: Home / Archives for Documentary

Your chance to record your history

June 17, 2015 By Eric Douglas

2015-06-17 10.49.06Next week, at various locations around town, I’ll be recording oral histories from anyone who wants to participate as part of the FestivALL Oral History Project. I’m hoping to fill up every day and get as many recordings as possible.

Oral histories are simply recordings of whatever you want to talk about and record for posterity. No more and no less. They don’t have to be dramatic or traumatic. The everyday stories are just as important as the bigger stories. In other words, everyone has a story to tell and to record. If for no other reason, oral histories are important to preserve memories for families. They record our voices and the life that made us who we are.

I’ll be there to guide the interview and keep it moving. Of course, you’re free to talk about anything you want to talk about. Participants will receive a copy of their recording. My hope is to produce some sort of documentary project afterward, using excerpts from the recordings, but until I listen to the recordings and see what we get, I’m not sure exactly what that will look like. If you’d rather not have your story included in the follow up project, that’s fine, too. You are still welcome to take advantage of this opportunity.

This project is being sponsored by FestivALL and the locations that are providing the space. Below you’ll find the location list and the way to sign up. The Clay Center has a signup form on their website and the other locations have provided phone numbers where you can call and set up an appointment. You can find the complete list and more information on the project on the FestivALL website.

To make an appointment:

Monday, June 22: The Clay Center. Visit the Clay Center website to make an appointment.

Tuesday, June 23: Emmanuel Baptist Church, 1401 Washington St. West, Charleston, WV 25387. Call the Church office at (304) 342 4988.

Wednesday, June 24: West Virginia Bureau of Senior Services. Call 304-558-3317. Ask for Tammy Webb or Lee Rogers.

Thursday, June 25: B’nai Jacob Synagogue. Call 304-346-4722 to make an appointment. (I understand this location has already filled up.)

Friday, June 26: West Virginia Culture Center Archives. Contact Susan Scouras, the Library Manager at 304-558-0230 X742..

Filed Under: Documentary

Cayman reef restoration making progress

June 11, 2015 By Eric Douglas


IMG_6162cayman magic reef mapOne of the story lines in my new novel Return to Cayman is a cruise ship dropping anchor on a living reef. This scenario is loosely based on a cruise ship grounding off of Don Foster’s reef last August when the Carnival Magic dropped its anchor and hundreds of feet of anchor chain destroying an estimated 16,000 square feet of reef. Since the incident, volunteers have spent thousands of hours cleaning up the site and working to keep the damage from getting worse.

At the book signing/release party for the novel at Sunset House, Joey Avary, a reporter for the Cayman 27 news channel, stopped by to do a story. In talking to him, I found out that he was very involved in the Cayman Magic Reef Restoration project. I mentioned I would like to see the site and he said he was free on Friday.

IMG_6197When he briefed the dive, Avary said we would do a tour, but he also brought along a couple toothbrushes so we could clean some algae off the coral. If you’ve never tried to hover in one place, in acurrent, and scrub algae from monofilament fishing line with a toothbrush while not breaking the fragile structure the salvaged pieces were hanging from, you haven’t lived. I was sure I was going to set the project backward. Avary made it look easy, but I felt like a politician during a photo op at a soup kitchen. (At least a politician that knows better than to believe his own press).

When you approach the site, everything looks normal, right up until it doesn’t. Coral is growing and fish are swimming. We saw a couple sea turtles nearby. And then you get the impact spot. TIMG_6192here’s just nothing there. And it’s not just one place. It goes on for hundreds of yards. The anchor and chain turned the reef into rubble in an instant. It looks like a massive scar across the sea floor. And that’s after months of work.

Lois Hatcher is the underwater project director. She worked on the Masdam grounding in Cayman in 1996. In 2011 she spent a year in the Florida Keys studying coral restoration and ecology along with an internship with Ken Nedimeyer at the Coral Restoration Foundation. She returned to Cayman two years ago with the sole intention of getting a coral nursery started.

“The biggest challenges is getting past the nay-sayers and politicians. We have been held back by this and all we really want to do is stabilize the reef, save what coral we can and go back to enjoying the coral reef not putting it back together. The time line keeps being adjusted but hopefully in the next couple of weeks we will start using concrete to secure the bigger pieces, fill in the gaps with smaller pieces and epoxy and finish off the rubble removal in a couple of areas. I am hoping that this is only going to take three to four months of consistent work. We won’t know though until we actually get started and get the rhythm going,” she explained.

IMG_6167 During the tour, Avary showed me a section that is roped off with a sign that reads “Keep Out.” When the anchor chain dragged on the relatively shallow reef, it piled up debris at the top of a channel. The rubble pile is so unstable, if disturbed, it could cause an avalanche down the wall, tearing up even more reef. “It is deeper than recreational diving limits, but just because we can’t see it that doesn’t mean it’s not important,” Avary said.

IMG_6156Volunteer divers have been sorting through the rubble, finding viable pieces of coral, and separating it by type. They’ve cleaned away silt and debris to save what they could.

“The crates are used as a temporary holding area for the pieces that need to be reattached. It was made from materials that we had on hand and used to avoid “losing” loose corals in the reef or placing them in the sand. The crates keep the species separate, allow for water flow and keep the pieces off the sand so they don’t choke from sedimentation,” Hatcher explained. “The prognosis also changes with time. Obviously the longer that coral is in an unstable environment the less chance it has of recovery. The pieces that we have outplanted are all doing well but the installation of a cruise ship dock could change all that.”

Even while doing all of this work, the volunteers have to constantly watch depth and time limits and coordinate the tasks using hand signals and writing slates. To get to work, the volunteer divers make a surface swim the couple hundred yards out until they are on top of the site to save their air for more work time underwater. This makes for a long tiring swim before they even get to work. And then, of course, they have to swim back to the shore afterward. The project should have its own boat soon. That should make the process easier and more efficient, although a boat takes fuel and maintenance, all of which cost money. (Update: the group has taken possession of the boat, named Honey Badger and it is already paying tremendous dividends on their work productivity. By removing the long surface swim, they are able to do two and three dives in a day and have the tools they need right on site.)

Option 1During the interview, Avary asked why I was interested and why I would be willing to donate a portion of the royalties from Return to Cayman to the reef recovery effort. I told him that while I don’t live there, and had never actually visited that reef before the accident, it was still important to me. I think of the ocean as mine. For me, it seemed like as simple thing to do, especially compared to the work the volunteers are doing. Through July 31, I will donate a portion of royalties from the book Return to Cayman to the reef recovery effort. The book is available in softcover and on Kindle.

One of the great things about writing fiction is that while you are entertaining, you can also educate and inform. In fact, one of the best ways to educate is by making it entertaining. My goal was to do both with Return to Cayman.

If you are interested in making a donation to keep this project going, the Cayman National Trust has a tab under “Donate” for the project. Even volunteer projects take money.

Side note: Grand Cayman is now weighing the installation of a cruise ship dock that would possibly eliminate incidents like this. However, to construct the dock, they would have to destroy an estimated 15 acres of living coral reef, including Devil’s Grotto, and damage another 15 to 20 acres. .

Filed Under: Adventure, Books, Diving, Documentary, Travel

Listening to people: oral history

May 6, 2015 By Eric Douglas

A few days ago, I was in a local office supply store when an older gentleman made eye contact and decided to show me what he was working on. He had some old pictures of a train that ran Blue Creek in the Elkview area. He was having them laminated and explained that when he was a kid, he didn’t ride a bus to school… he rode a train. It was a cool story and a fascinating little piece of history. Why he chose me to share it with, I have no idea. I guess I just look curious.

I have a degree in Journalism from Marshall. After school, I worked in local newspapers for a few years, first in Matewan and then writing for the Metro/Neighbors sections of Charleston newspapers. I quickly discovered my favorite part of the job was human interest stories and features. I really enjoyed talking to people and listening to what they had to say.

Flash forward 25 years and one of my favorite projects is to collect oral histories. Oral histories are recorded memories. They can be about early childhood, work experiences, war experiences or family life. It is extremely important for families to record the memories and voices of older generations so those memories are not lost.

During FestivALL 2015, I’ve been asked to coordinate collecting oral histories around Charleston June 22-26. (We’re planning to do some person-on-the-street interviews on the weekends, too). The FestivALL Oral History Project seeks to collect oral histories from everyday Charleston residents and those who live in the surrounding area. Where appropriate, we’ll direct oral history interviews with questions relating to life in the Charleston area, (earliest memory, connections to the river, etc.) but will leave the oral history up to you.

We’ll use excerpts from these recordings to develop a multimedia documentary and memory wall. Participation in that portion of the project is voluntary and not required if you want to have your oral history recorded.

I’m still looking for a couple locations who are interested in hosting a day of recordings. So far, we are recording at The Clay Center (June 22) and Emmanuel Baptist Church on the West Side (June 23). We can set up to record in churches, libraries, community centers or wherever. If you’re interested in hosting the FestivALL Oral History Project, send me an email. I’m asking that the location sponsors maintain the schedule for their location to keep people flowing in and out.

If you want to have your story recorded as part of the project, watch the FestivALL website for details on locations and contact information on how to sign up. Each interview will take about an hour..

Filed Under: Documentary

Running the race for the cure

April 29, 2015 By Eric Douglas

Pageflex Persona [document: PRS0000038_00053]A year or so ago, I spent time with Jean Hanna Davis while she went through chemotherapy for the second time in her life, almost exactly 10 years after her first round. I was sitting with a friend, but we also recorded our time together because Jean knew she had a story to tell. She wanted to give people (primarily women, but family members in general) a look inside what it meant to have a diagnosis of breast cancer.

The book that came from those sessions, Keep on, Keepin’ on, was a raw and informative look at breast cancer from the inside. Jean’s goal was to help women who had the same diagnosis know what to expect. There were good days and some rough ones. Some days she was up-beat and other days, it took every ounce of energy she had to hold it together. I imagine most women who have been told they have breast cancer feel the same way. The most important message in the book was those feelings are universal and you are not alone.

In Jean’s case, following the release of the book, the cancer came back again. She had more treatments and is presently in remission again.

Earlier this week I interviewed Jean for the Writer’s Block radio show. You can listen to the podcast of the interview on VoicesofAppalachia.com. I asked her what she learned in the process of revealing herself at that vulnerable time.

“I always wanted to tell the story and I wanted to let people who are diagnosed that isn’t initially a death sentence,” she explained.

I asked Jean what she learned about herself while writing the book. She explained that even though she is comfortable talking about herself, the entire process wore her down. She thinks a lot of women dealing with cancer feel the same way.

“When you are healthy, no one wants to ask if you are still healthy. But when you are sick, everyone wants to ask how it is going. You are talking about it constantly, you get tired of opening yourself up. It is very exhausting, emotionally.”

This weekend is the Susan G. Komen Race for the Cure in Charleston. I don’t know of anyone whose life hasn’t been affected by breast cancer in one way or another. Granted, there are loads of causes we can get involved with, and there is no possible way everyone can take on all of them. But, if you’re not doing anything this weekend, think about getting up Saturday morning and walking (or sleeping in) for the cure.

If you are interested in the book Keep on Keepin’ on, you can find it on Amazon in softcover and on Kindle and it is also available for sale at Tamarack.

 

https://www.youtube.com/watch?v=XUBXZUqAS6k.

Filed Under: Books, Documentary

Words make music if you listen

March 18, 2015 By Eric Douglas

20150310_160632A few months ago, I began interviewing Appalachian authors for a radio show/podcast called Writer’s Block on Voices of Appalachia. I will be the first to admit that the idea for the show was largely self-serving. I get to spend time with authors from all over the region, learning what makes them tick and understanding how they approach their craft. The learning process has never been higher than an interview I did last week with West Virginia’s Poet Laureate Marc Harshman.

I know some of you were tempted to tune out the moment I said “poet”. Honestly, until recently, I would have felt the same way. Poetry was a form of writing that I never “got”. I could appreciate the craft of it. I could appreciate the work that went into it. But appreciating the poems themselves was always difficult for me. And what the heck is a “laureate” anyway?

Last question first: In ancient Greece, a hero or a poet was crowned with a laurel wreath. The word has come to signify literary awards or military glory. A poet laureate is the official poet of a state or country as designated by the government. So, the state of West Virginia chose Harshman to be the state’s poet representative. West Virginia has had a poet laureate for nearly 90 years.

2015-03-10 19.23.53Harshman was in Charleston last week for the Creators Talks at the WVSU Economic Development Center where he read selections of his own poetry, along with the poetry of others, and answered questions from a full house of attendees. Listening to Harshman read his work was an eye-opener.  It was stirring and profound. You hear the emotion, you hear the authority. You hear the rhythm and the music of it. He said he learned about poetry from his father as a child on the farm. It wasn’t high art the senior Harshman read for him, but even then, he could hear the “words making music.”

Harshman spent his entire adult life in West Virginia. He said he fell in love with the Mountain State when he came East from Indiana to study at Bethany College. Even though he left a couple times for school, he kept coming back. He lives in Wheeling now. “West Virginia is a small state but there’s such an abundance of amazing poets and writers and sculptors and dancers. My obligation to promote all the arts,” he said.

In his presentation, Harshman also paid tribute to Irene McKinney, the previous poet laureate of West Virginia. She held the post until she died in 2012. He read her poem At 24. “She didn’t expect to be here afterward. She had to fight for everything she had,” Harshman said.

For me, one of the most notable lines in the poem was “I was writing to save my life.”Any writer or story teller will tell you that you don’t write for money or awards or notoriety. You write because you have to. You really don’t have a choice in the matter. I think that was what McKinney was saying. Filmmaker and the host of the Creators Program, Daniel Boyd, summed it up, saying “There is poetry in everything we do.”2015-03-10 19.24.15

If you want to hear the interview with Harshman, you can listen online in the Show Archive at www.voicesofappalachia.com..

Filed Under: Documentary

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Real Thugs: A Cult of Murder — Small groups of travelers have disappeared all over the mid-Atlantic without a trace. When bodies turn up with what appear to be ritual markings, FBI Agent AJ West is on the hunt for what might be a serial killer. Or something even more sinister. It’s a race against […]

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